chapters, start times, paintings by chapter

Chapter/start time/description/paintings in each chapter

Chapter 1    0:00  Ellen begins her story

Chapter 2    05:35  Inside the St. Louis Art Museum Exhibition

Chapter 3   10:15  The Susanna
    Susanna and The Elders, 1610

Chapter 4   16:17  The Personal Qualities of Artemisia and Ellen's Journey to Italy

Chapter 5   21:13  The Aurora
    Aurora, 1625 - 27

Chapter 6   26:06  A Walk Through Artemisia's Rome With Alexandra Lapierre
    Note: correct on screen dates for Artemisia's travels should read:
    Naples 1630 -1638
    Venice 1626 - 1629?

Chapter 7   29:20  The Rape Trial, In The Archives, and Artemisia's Testimony

Chapter 8   40:07  After the Trial, Artemisia in Florence, and Making a Life as a Painter

Chapter 9   44:20  Casa Buonarroti and The Inclination
    Allegory of Inclination 1615 - 16
    Self-Portrait as a Female Martyr (attribution contested) 1615
    Self-Portrait as a Lute Player, 1615 - 17
    Conversion of the Magdalene, 1615 - 16
    St. Catherine of Alexandria, 1618 - 19
    Jael and Sisera, 1620
    Judith and Her Maidservant, 1618 - 19

Chapter 10   51:59  Artemisia's Letters to her Patron and her Place in the World

Chapter 11   53:40  Inside A Private Collection and A Virago
    Cleopatra  1627 -31

Chapter 12   57:00  The Judith Paintings

    Judith Slaying Holofernes (Capodimonte) 1612
    Judith And her Maidservant, 1618 -19
    Judith Slaying Holofernes (Uffizi) 1620
    Judith And Her Maidservant With The Head Of Holofernes, 1625
   

Chapter 13  1:07:40  Artemisia: Fame, Career and Attributions
    Portrait of Artemisia by Simon Vouet, 1622
    Portrait Medal
    Engraving of Artemisia's Hands
    Esther Before Ahaseurus, 1628 -35
    Clio, Muse of History, 1632
    Corisca and the Satyr, 1630 -35
    Madonna and Child, 1609
    Conversion of the Magdalene, 1615 -16
    Penitent Magdalene, 1625 -26
    Portrait of a Gonfaloniere, 1622
    Portrait of a Lady in an Elegant Dress, 1620 -30
    Venus Embracing Cupid, (attribution contested) 1640s
    Annunciation, 1630
    Cleopatra, 1611 -12

Chapter 14  1:12:03  Cleopatra and The Danae: Attributions - Orazio vs. Artemisia
    Danae, Orazio Gentileschi, 1621 -23
    Danae, 1612 ?

Chapter 15  1:16:50  Artemisia, Money and the Value of Work

Chapter 16  1:19:19  Every Painter Paints Himself, Artemisia's Legacy
    Lucretia, 1623 -25

Chapter 17  1:23:12  The Self-Portrait - La Pittura
    Self-Portrait as an Allegory of Painting, 1636 -39

Chapter 18  1:24:50  The Last Years of Artemisia, The Struggle to Survive and Finding a Voice














   

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